This is a good spaghetti, myth-opera with action, love, battles and luxurious landscapes. Italian production with haunting scenarios, wonderful outdoors and functional production design, including a city similarly designed to mythical Tombuctu. Along the way Maciste or Hercules or Goliath frees slaves, moves rocks and fights a lion and nasty hoodlums. Then Maciste becomes inextricably involved in a war between usurpers under the command the troops against an army of helpless rebels. Our protagonist unhesitatingly goes into action and must use his strength to save the successor from villain Fazina and against the king's former counselor. But Maciste is captured, locked and become a spelled slave. The bouncing Maciste (Reg Park) helps the youngster Vazma and reunites an army of rebels to take on the Riad troops. The little young prince Vazma (Loris Loddi), heir to throne, becomes the new successor and flees along with Samara (Eleonora Bianchi). Both of them force the citizens to work in king Salomon's mines.
Riad helped by nasty Fazina (Wandisa Guisa) take over and overthrow the king.
Meanwhile, the prime minister named Riad (Jotta) is planning a rebellion against his king. The setting is ancient South Africa, when Namar (Giuseppe Addobbati), king of Zimba, a solitary city at the heart of Africa, decides to shut the fabulous king Salomon's mines, creating a temple and prohibiting to dig the valuable golden mineral.
Mythological epic with a magnificent he-man as is Reg Park and set in South Africa Republic. Passable Peplum thanks to robust Reg Park and expert filmmaker Piero Regnoli.
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